Big Mama |
Today I started planning my documentary; what animal I wanted my documentary to be on, problems the animal could face, problems I could face while filming, the cutaways I could get while filming so I could make the story more dramatic while in the editing room. Filming documentaries is almost like shooting a fictional film, you work with real subjects but the editing is what makes the story real.
I chose to work with warthogs and lions to create a television trailer for a new documentary series I made up called World of Warthogs, based off of Meerkat Manor. I created the story of big head honcho Boris in charge of keeping his clan, the Tuskers, safe from his outcast brother Scar with his War-Thugs and bigger threats like lions. Other characters are introduced in the trailer which I will post soon!
I realized that one of the worst things about working with warthogs is that they are incredibly skiddish and will run away and almost any movement. I learned a lot of patience while working with these creatures and recommend anyone that ever does a documentary to have much more patience than I do to even attempt to work with these awesome animals. The one neat thing, though, is that even though Big Mama is super protective, I got to know her and the twins quite well and was able to get within ten to fifteen feet of them and sit with them for long periods of time and record them. I think Big Mama was able to sense that I was not as threatening as some other creatures, considering I wasn't threatening at all. I really grew to love my warthog
The One and Only,
Carly K.
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